Saturday, February 16, 2013

The fury of the damned camera













Weird would be an understatement for this movie. I most likely had a constant “what the fuck?” expression on my face while watching this one. These “fumetti” (Italian term for comics for adults) adaptations were very popular in the late 60's and early 70's and this movie is among the better ones of it's kind. The movie starts out with probably the weirdest scene I have ever seen, I still can't understand what it was about, but there's some half naked people playing Native-Americans and some cowboys driving in cars killing each other and some Jesus impersonator burning American flag until the police come to stop it all. I guess it was some kind of reality theater or something, all I know is I couldn't understand it at all. Anyway that's soon forgotten after the titles and the actual story is about Valentina (Isabelle De Funes), a photographer who gets her camera spellbound by a witch called Baba Yaga (Carroll Baker). The people who get photographed by the camera seem to end up hurt or dead. Then there's Arno (George Eastman) a director friend of Valentina and a living doll called Annette, played by the great Ely Galleani. And then things get very weird, can't say much about it in fear of spoiling it, but then again I didn't really understand most of it anyway so I guess it doesn't matter one way or the other. Anyway I really liked the haunting mood of the movie and the seemingly nonsense script actually made it even more intense. The movie looked great and there's some very nice shots as you'd expect from Italian genre films, but the use of music surprisingly wasn't that impressive. I mean it wasn't bad, but definitely not great either. This Shameless release of the film was a bit confusing as it's a restored director's cut of the movie and it's made mainly from an English print and the cut parts are added from a lesser quality Italian print with an Italian soundtrack. So from time to time the picture quality goes down and people just start to talk Italian and then switch back to English. It's actually not as distracting as it sounds, even though it was extremely notable, after all it's better to see the director's original vision than some cut done by a studio. Fumetti friends will get more out of this movie than I did, I was surely intrigued and mostly entertained throughout it, but in the end it left me with a ton of questions and not much else to go with.
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